Marta Romero Biography
Marta Romero (born February 17, 1928) is an actress and singer, who was one of the pioneers in Puerto Rican television.
Romero was born in the city of Ponce, on the south coast of Puerto Rico. She is considered by many as a "natural performer" because she never took singing or acting lessons. In 1943, when she was fifteen years old, she made her debut on radio station WPAB. In 1945, she became the lead singer of the orchestra Mingo & His Hoopie Kids from Ponce. In 1950, Romero became a member to the group Las Damiselas (The Ladies), as the lead singer, with composer Sylvia Rexach. In this vocal group, she also sang with Lucy Boscana, then a young singer, and later an actress.
Her debut in television was in 1956, in Telemundo. Romero starred in over 25 soap operas such as La Divina Infiel (The Divine Unfaithful) in 1962. Her leading man during those times, was the late Spanish actor Ricardo Palmerola. Soap operas were performed live, at those times, since video tape didn't yet exist. Among other soap operas in which she participated were, Cuatro Mujeres (Four Women), La sombra del otro (The Shadow of the Other) in 1966; La infamia (The Infamy) in 1967; Cuando los Hijos Condenan (When the Children Condemn) in 1968, and Entre la Espada y la Cruz (Between the Spade and the Cross) with Cuban actor Jose Yedra", among others. In 1975, she made her last appearance in a telenovela, performing in Pueblo Chico (Small Town).
On May 19, 1960 Romero made her official onstage debut, with the play En el Principio la noche era serena (At the Beginning the Night was Serene), written by Gerard Paul MarÃƒÂn, and performed at San Juan's Municipal Tapia Theater. Among others, her performances onstage in Puerto Rico were La Cuarterona (The Wicket), in 1967; Maribel y la extraÃƒÂ±a familia (Maribel and the Strange Family) in 1969, and El Hombre, la Bestia y la Virtud (The Man, the Beast and the Virtue) , Romero's last performance on stage.
In 1963, she recorded her first album as a singer, Marta Romero Canta (SALP-1336), This LP includes, the boleros Ã¢â‚¬Å“Es tarde yaÃ¢â‚¬Â (It's Too Late), composed by Sylvia Rexach and "Ã‚Â¿QuÃƒÂ© sabes tÃƒÂº?Ã¢â‚¬Â (What Do You Know?), composed by Myrta Silva.
In 1965, she performed at the LÃƒÂrico Theater in Mexico. During her frequent seasons, her musical director was Mexican composer and pianist Armando Manzanero.
In 1959, Marta Romero performed the leading role in Maruja, one of the first Puerto Rican films actually made in Puerto Rico. Later, she starred in several films in Puerto Rico: Ayer Amargo (Sour Yesterday) in 1959; La fiebre del deseo (The Fever of Desire), La piel desnuda (The Naked Skin) and Mientras Puerto Rico duerme (Meanwhile Puerto Rico Sleeps) in 1964; Bello amanecer (Beautiful Daybreak) in 1966 and Amor perdÃƒÂ³name (Forgive Me Love) in 1967.
As a result of being acclaimed by the Mexican Motion Picture Industry, in Mexico City, she starred in El SeÃƒÂ±or Doctor (Mister Doctor) with Mario Moreno Cantinflas and Miguel Angel Alvarez, and Retablos del Tepeyac (Altarpieces of Tepeyac) in 1965; Ã¢â‚¬Å“Casa de mujeresÃ¢â‚¬Â (House of Women) with Dolores del RÃƒÂo, Matar es fÃƒÂ¡cil (It's Easy to Kill) in 1966; La fiera (The Fierce), La sombra del murciÃƒÂ©lago (The Shadow of the Bat), Las vampiras/Deseo de sangre (The vampires/Desire of blood), with John Carradine, Un Latin lover en Acapulco (A Latin Lover in Acapulco) in 1967, and Una puertorriqueÃƒÂ±a en Acapulco (A Puerto Rican Girl in Acapulco) in 1968.
Romero, was married five different times. Her first husband was the Puerto Rican singer Felipe Rodriguez, "La voz". In 1981 she was married for the last time, to ElÃƒÂas Najul Bez. The couple established their home in the municipality of Isabela, Puerto Rico. Najul Bez died in 2006.
Romero retired as an actress and bolero singer because she embraced the Christian faith in the Puerta del Cielo (Heaven's Door) church, located in Caguas, Puerto Rico in 1975. Later, she became a preacher at "Iglesia de Dios Pentecostal" (Pentecostal Church of God), and she continues vocalizing Christian gospel songs. In the 1980s, she recorded her last album as an evidence of her true faith in God, titled "He Vuelto a Nacer (I Was Born Again).